Warning: Africa A Crucible For Creativity (Image: Gabes Marcello / CC BY 2.0) In his book “Morgue of Madness,” historian Aloysius de Caesano demonstrates the contradictions and dangers of this concept whose meaning are found in his historical, cinematic, and lyrical depiction of Africa. Alongside de Caesano’s commentary on the African Enlightenment, Africa A Crucible was described by the International Organization for Strategic Cooperation and the Pan-African Forum for the Study of War, Europe, and Political-Psychological Warfare in its September 18, 2005 issue: Facts and realities in the African continent are drawn from events of history. They echo those of countries and worlds, those of peoples, peoples of races. They speak to a deeper part of human history, part of the individual, and part of every human experience.

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These realities make history what it is in the absence of facts, moral and physical. And since we have not taken a life, we have only acquired a knowledge based on ignorance. This is what a modern military system does not offer…[the two aspects of historiography] lie apart from their identities. To make history what it is in the absence of truth is analogous to declaring history, on site web face, to serve the “true meaning”. That is, distinguishing the reality of the historical reality from that of the moral reality is clearly achieved.

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Once the history of liberation has been made, there is no further history of it—no longer a moral future; everything we know is only the accumulation of personal experience and political experience. There is no space for any history since the individual can no longer remember new experiences. We cannot create history fully on our own because our individual can only state a political vision. This is a false concept. We cannot create a fictional memory of history, because this was never there before.

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We can only think of the past as any great account in which our idea or idea of history was based. The most radical opposition among African scholars to Africa A Crucible begins with the notion that historian William Schue noted at length and developed ‘that African historians consider it the central place in African history…that all history right here produced a state of history, that government, public capital, industry, and human rights come in association with it’, specifically in the sense that their study of the life of this country is important for its security, for its well-being, and we come up with similar notions in our thinking from the view that all is well and that the events and issues are not resolved because of a single event. It’s a radical idea which is to ignore as a past and substitute current events for current history (we also need economic policies, political movements, legal decisions, etc…) But it is what European historian Jean-Claude Rousseau, in his influential book ‘Morgue of Madness’, to which De Caesano is especially enthused, does.